SIMONE DE BEAUVOIR – The Feminist Icon Café Philo – Debate / 30th June 2021, 6.30 pm on Zoom

 On the occasion of  

Publishing in 2020 an intimate work by Beauvoir withheld during her lifetime Generation Equality Forum 2021, Mexico-Paris 


Participants : 

Sylvie Le Bon de Beauvoir - Philosopher and  

Simone de Beauvoir’s adopted daughter 

Divya Dwivedi – Philosopher 

Marine Rouch – Historian, PhD student in  

contemporary history (FRAMESPA)  

Aditi Maheshwari - Publisher at Vani Prakashan 

Monica Singh - Hindi translator of The Second Sex 

Moderator: Arunava Sinha - Indian translator and  

Associate Professor of Creative Writing at Ashoka  

University.  

To attend register at:  

https://ifindia.in/equality/simone-de-beauvoir 

French author and existentialist Simone de Beauvoir has exerted considerable influence on feminist theory  and gender studies around the world. In the context of the Generation Equality Forum 2021 and the  publication of the book, The Inseparables (France, 2020), by Beauvoir’s adopted daughter, Sylvie Le Bon  de Beauvoir, the ‘Café Philo’ organized by the French Institute in India will delve deeper into how the  work’s protagonist brought about a feminist awakening in Beauvoir. Her landmark book considered the  Bible of the feminist movement, The Second Sex (1949), will soon be translated in Hindi

The Inseparables


2020 marks the first publication in France  

This captivating unpublished novel from 1954 tells  

the first passionate and tragic friendship between two  

rebellious young girls, Simone de Beauvoir & Zaza.  

Beauvoir referred to women as the Second Sex  

because they always seemed to be defined in relation  

to men. This work speaks about Beauvoir’s early life  

and a relationship that formed her views on sexism  

and gender inequality. This book also offers insights  

into Beauvoir’s journey as a writer.  

Having met during their early childhood, Simone and  

Zaza dreamed of independence and higher education  

in an age when this was not a given. Family pressure  

caused Zaza to give up studies eventually and she  

pursued a relationship thereafter that was doomed.  

She died at 21, defeated by the very forces that she  

wanted to fight against. Zaza finds her way into many  

of Beauvoir’s works especially, ‘Memoirs of a  

Dutiful Daughter’. The two were ‘inseparable’,  

inspiring the book’s content and title.  

More of Beauvoir’s unpublished works are on the anvil.  of Simone de Beauvoir’s The Inseparables.

In the words of Sylvie Le Bon de Beauvoir: 

Among the archives that Simone de Beauvoir entrusted to me, when she adopted me as her literary heir, there are  many unpublished manuscripts, including a short story that she left untitled, the one that became “Les  Inséparables” (The Inseparables). She gave me guidelines for managing this collection. A writer may have his  reasons for not publishing a text immediately: but if s/he does not destroy it, it is because s/he may be planning to  get back to it, to correct it, to make it public even after a long time, as Simone de Beauvoir herself did when, in  1979, she published “When Things of the Spirit Come First”, which dates back from 1938. After her death, the  perspective changed. With this long novella, I found myself before a finished work, which Simone de Beauvoir had  preserved, which she had even had typed. A valuable work that deserved to exist by itself. Occupied for a long time  with other publications, I was only able to devote myself to it in 2020. A title quickly became obvious: I chose a  term that haunts its pages. 

Simone de Beauvoir wrote it in 1954. She had just spent four years on a vast novel, “The Mandarins”, which had  won her the Goncourt Prize, and she wanted to take a break from fiction in favor of autobiography. For a long  time, she had dreamed of reviving her childhood and her youth. But strangely, in spite of herself, her pen deviated  from it: she centered the story not on the desired self-writing, but on the transposed evocation of the destiny of her  great childhood friend Élisabeth Lacoin, known as Zaza. Thus, she found herself once again drawn to the fiction 

genre, which explains her dissatisfaction and why she had discarded this text. She hence dived, without any detour,  into the writing of the “Memoirs of a Dutiful Daughter” (1958), the first volume of her great autobiographical  enterprise. 

The tragedy of Zaza’s brutal death at the age of 21 had left a mark on Simone de Beauvoir and she never stopped  trying to do justice to her friend. At the time when she herself was emancipated, conquered her freedom and dashed  towards the future, Zaza, instead of accompanying her, was destroyed. Elsewhere she confided: “The assassination  of Zaza by her environment was for me a shattering and unforgettable experience.” An experience that certainly  contributed to the foundation of her philosophical enterprise of demystification, and to the development of the  feminist consciousness of the future author of “The Second Sex”. Zaza died because, like so many other women of  her time but also of today, she was not allowed to become herself. The international success of “The Inseparables” can be explained by the various resonances, tender and profound, that this work triggers in readers. For some, it  is an initiation, the discovery of Simone de Beauvoir, for others, a fascinating document. I am happy that it serves  to confirm the influence of Simone de Beauvoir. 

Writing to Simone de Beauvoir in order to exist: letters from her readers 

- by Marine Rouch 

“You are the star of hope that shines through the frontiers, above the gloomy chorus of so many paths [sic] of  unhappy, mistreated and despised women" (September 27, 1958). This sentence, written by a reader in 1958, sums  up the hopes that thousands of women have placed on Simone de Beauvoir

The writer received nearly 20 000 letters between 1943, the year that marked the beginning of her literary career  with the publication of her novel She Came to Stay, and 1986, the year of her death. When she published The Second  Sex in 1949, it was a scandal. The intellectual world was outraged; François Mauriac, then a central French  intellectual figure, launched a survey in Le Figaro littéraire on the decline of literature. But in the received letters,  no ignition. Rather, relief, even recognition…and hope. But the book was still too theoretical, difficult to access for  women – and men – who were not used to such reading. Ten years later, in 1958, Simone de Beauvoir published  the first volume of her memoirs, Memoirs of a Dutiful Daughter. It was followed by The Prime of Life in 1960 and  Force of Circumstance in 1963. The autobiographical block was then considered by women as a “work-mode of  employment”, as the long-awaited demonstration of the philosophy of The Second Sex

Thus, the letters from her women readers reveal a long and painful process of appropriation of the Beauvoirian work by women, even before feminist movements of the 1970s took up the theses of The Second Sex. The 1950s  and 1960s therefore became the scene for the constitution of a collective space by women, with the objective of  understanding and sharing a common experience. 

Through my research, I wish to give voice to those who wished to testify about their condition to Simone de  Beauvoir. In this collection, we come across women who struggle to reconcile their professional life with their  personal life; women who are housewives, exhausted by the repetitiveness of household chores and lack recognition  from their close entourage and society in general; also women belittled by their husbands, who seek at all costs to  divorce at a time when the weight of tradition is still too heavy… All of them find in writing – literary or the more  intimate letter to Simone de Beauvoir – a way to reflect on their condition. Writing to exist, that is the credo of these  women. 

Many of the letters echo our contemporary experiences despite an undeniable contextual evolution. Simone de  Beauvoir still touches, still helps. The letters she received during her lifetime are a wonderful way to (re)discover  her work.

ABOUT THE GENERATION EQUALITY FORUM 

The Generation Equality Forum which, kicked off in Mexico City on 29th March and will culminate in Paris on 2nd July, is the most significant milestone for gender equality since the Beijing World Conference on Women in 1995.  This ground-breaking multi-generational campaign and global gathering is convened by UN Women and co-hosted  by the governments of Mexico and France.  

Considering that no country has so far achieved full gender equality, the Forum will foster a series of transformative  actions to accelerate the progress for gender equality by 2030. Action Coalitions will announce concrete plans of  action and bold commitments to this effect, especially in the light of the COVID-19 pandemic which has pushed  back progress with respect to equality.  

The joint press release of 8th March of the President of the French Republic, H.E. Mr Emmanuel Macron, and the  Executive Director of UN Women, Mme Phumzile Mlambo-Ngcuka, states: “During this crisis, we did not give up.  Despite the pandemic, because of the pandemic, we have redoubled our efforts. We are more determined than ever  to make progress and go forward…. We will convene Governments, international organizations, civil society, youth,  the private sector and activists from the entire world to make concrete, ambitious and sustainable commitments  towards achieving gender equality.” 

In India, a series of events, organised by the Embassy of France/French Institute in India, in collaboration with the  Alliance Françaises network in India and their partners, have been scheduled from March to July. Announcing the  programme of activities, H.E. Mr Emmanuel Lenain, Ambassador of France to India, said, “Gender parity and  diversity are the cornerstones of civil society and are vital criteria for economic growth. Gender equality is a  priority for the French government and is being taken into account in all domains, including sustainable  development, security, defence, environment, economic policy, the creative and cultural industries, scientific  research and education.”

Gender Equality Festival initiatives at : https://ifindia.in/equality 

For queries and interactions with the participants of the debate contact – 

Shaifali Jetli-Sury, Communications & Partnerships, French Institute in India  

sjs@ifindia.in / +91-9811261088




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